Stuart Willis / Studio Stu
Hiya, I’m Stu.
I do post-production.
Even though I’m often involved before cameras, virtual or real, are rolling.
If you’ve got a narrative-driven project with complex post production elements (like visual effects, animation, motion graphics or just bucket loads of footage), then I can help deliver it to a high creative and technical standard.
I’ve been doing this for nearly two decades with projects of all sizes: features, television, music video, advertising, and the ever-nebulous “content.” Fiction and factual and everything in between. And I’ve worked with live action, visual effects, motion graphics, hand-drawn cell animation, puppetry, and full CGI — delivering for broadcast, theatrical, web, social, installations and activations.
I’ve worked on, and managed, it all.
My marquee credits include: On-Set VFX Supervisor for Netflix’s adaptation of Boy Swallows Universe (2023); On-Set VFX Supervisor for Joe Carnahan’s Not Without Hope (2024); Motion Graphics for Stan’s Bad Behaviour (2023); On-Set VFX Supervisor for the Sundance-winning Shayda (2022); Post-Production Supervisor on The Giants (2022); Layout Production Supervisor on The Lego Movie (2014), and Editorial & Dailies Co-ordinator on Pirates of the Caribbean: Dead Men Tell No Tales (2017). But I’m just as proud of the many small jobs I’ve completed.
If this sounds like a project you’re working on, please get in touch!
— Stuart